목차

1. 서론 ······································································································1
1.1 연구 배경 ·············································································································1
1.2 연구 범위 및 방법 ····························································································2
1.2.1 연구의 범위···························································································2
1.2.2 연구의 방법···························································································2
1.3 연구 목적 ·············································································································3
2. 조선 시대 다산문양의 이론적 고찰 ···········································5
2.1 조선 시대 다산문양의 상징적 의미 ······················································5
2.2 조선 시대 다산문양의 조형적 특성 ·····························································5
3. 조선 시대 다산문양의 현대적 해석 ·········································10
3.1 조선 시대 혼례문화의 다산문양 ··························································10
3.1.1 조선 시대 혼례의 절차 ·····································································10
3.1.2 조선 시대 다산의 상징인 혼례용품···············································12
3.1.3 조선 시대 다산의 상징인 혼수품 ···················································15
3.2 조선 시대 혼례복의 특징 ···············································································18
3.3 조선 시대 혼례문화의 나타난 오방색 ······················································22
4. 조선 시대 혼수품의 표현된 다산문양 ·····································24
4.1 조선 시대 동물 소재의 다산문양으로 표현된 혼수품 ·····················25
4.2 조선 시대 식물 소재의 다산문양으로 표현된 혼수품 ·····················37
5. 다산문양을 이용한 텍스타일 디자인 개발 과정 ··················51
5.1 텍스타일 및 리피트의 분류 ···································································51
5.1.1 홈 퍼니싱(Home Furnishings) 디자인··········································52
5.1.2 어패럴(Apparel) 디자인 ····································································54
5.1.3 리피트(repeat)의 종류·······································································56
5.2 다산문양을 이용한 텍스타일 디자인 개발 ········································59
6. 설문 조사 ·························································································83
6.1 설문 조사 분석 ··························································································83
6.2 설문 조사 결과 ··························································································89
7. 결론 ···································································································90
7.1 연구 결론 ····································································································90
참고문헌 ··················································································································91
Abstract ·················································································································94
부록 ··························································································································96